THE BRONZE – 4.5/10

Standard

THE BRONZE: predictable with only a few good laughs. I wish Melissa Rauch had found another voice, other than the same squeaky one of Big Bang Theory’s Bernadette (and no, that’s not her real voice, I have heard her talk in person). The problem of the film is that the main character is very unlikable and uninteresting. There are main unlikable character like Johnny Depp’s Whitey Bulger in Black Mass, or James Gandolfini’s Tony Soprano in The Sopranos or Javier Bardem’s Anton in No Country For Old Men, but all of them are very interesting, when Rauch’s isn’t. Sometimes a movie only needs one good unique scene to make it worth watching, the closest to that in THE BRONZE is a sex scene that is weirdly cut and very dark to hide Rauch’s body double, so… nah’, wait to watch it on Netflix.

Twitter @Oscarrgorriz

The_Bronze_poster.png

MIDNIGHT SPECIAL – 6.5/10

Standard

Let me put it in one line: E.T. with guns. The concept of MIDNIGHT SPECIAL is great, but seems like the voice of Jeff Nichols in his 4th film begins to fade. Not sure if its his fault, maybe he had to compromise some stuff with the studio; like adding those Adam Driver’s comic-relief scenes by the last third of the movie that are completely out of tone with the rest of it. MIDNIGHT SPECIAL is a film where you can feel the screenwriter orchestrating everything (meaning not very natural), for example: How can a father kidnap his own son? Wouldn’t the cult be the kidnappers? Why Michael Shannon doesn’t go to the police and say “hey, I’m his father and she is his mother, stop chasing us”? Why the cult is so calm (hearing a sermon) when their God (the boy) was stolen? Why Joel Edgerton’s character was not merged with Michael Shannon’s, if he has zero development? Well… it has very good acting and very cheap visual effects.

Twitter @Oscarrgorriz

Midnight_Special_(film)_poster